In the high gorge of the Daryala. Mikhail Lermontov: Verse - In the deep gorge of Daryal.... Analysis of the poem “Tamara” by Lermontov

In the deep gorge of Daryal,
Where the Terek rummages in the darkness,
The ancient tower stood
Blackening on a black rock.

In that tower high and cramped
Queen Tamara lived:
Beautiful as a heavenly angel
Like a demon, insidious and evil.

And there through the midnight fog
The golden light shone,
He threw himself into the traveler's eyes,
He beckoned for a night's rest.

On a soft down bed,
Decorated in brocade and pearls,
She was waiting for a guest... They hissed
There are two cups of wine in front of her.

Hot hands intertwined
Lips stuck to lips
And strange, wild sounds
All night long they heard:

As if that tower was empty
One hundred ardent youths and wives
We agreed on a night wedding,
For the funeral feast.

But just the morning glow
Threw its beam across the mountains,
Instantly darkness and silence
They reigned there again.

Only the Terek in the Daryal gorge,
Thundering, breaking the silence,
Wave upon wave ran over,
The wave drove the wave.

And with a cry the silent body
They were in a hurry to carry it away;
There was something white in the window then,
It sounded from there: sorry.

And it was such a tender farewell,
That voice sounded so sweet
Like the delights of a date
And he promised the caresses of love.

Analysis of the poem “Tamara” by Lermontov

“Tamara” became one of Lermontov’s last works. He was inspired by his recent (in 1837) trip to the Caucasus. It is believed that the poem is based on folk legends and traditions of this region.

The main character is the demonic temptress Tamara. Her love is deadly, it foreshadows imminent death. The very environment where the action takes place evokes fear and makes you doubt the reality of what is happening. It is here that Tamara waits for her lovers.

She is a collective image of all evil witches from folk tales and legends. A beautiful voice, like a siren, attracts random travelers, envelops and lulls them to sleep. She is not interested in wealth or other material values. The queen spends an unforgettable night of love with her victims, and in the morning throws them off a high cliff. The poet describes in great detail the gloomy details of Tamara’s life: “She was dressed in brocade and pearls,” “He was met by a gloomy eunuch.”

The queen becomes attached to her random guests, the author describes her farewell to them using contrasts to convey the completeness of the situation and tragedy. The raging Terek River carries away the lifeless body, while the queen laments over past love and tender promises. Her love is devoid of sensual content, she is only interested in her own egoism and self-admiration. This is the whole demonism of her character.

The work also resembles a fairy tale in the way it is presented. Lermontov uses constructions characteristic of folklore or folk art:

"In that tower high and cramped
Queen Tamara lived."

This introduction clearly resembles the fairytale beginning of “once upon a time.” The author uses such turns to make the story more mysterious and mystical. The poet dwells in detail on the action taking place at night in the tower. Precisely selected epithets convey all the sensuality and eroticism of the situation: “strange, wild sounds”, “a hundred ardent young men and wives.”

It is believed that the work is based on Georgian folklore. However, such a legend about Tamara or other mention of her does not exist. Some literary scholars agree that it is based on the myth of Queen Cleopatra from Pushkin’s story “Egyptian Nights.” The plot of both works is largely the same. Whatever the source, this does not detract from the author’s merits in accurately conveying Tamara’s demonism, her captivating sensuality, beauty and, at the same time, tragedy.

"Tamara" Mikhail Lermontov

In the deep gorge of Daryal,
Where the Terek rummages in the darkness,
The ancient tower stood
Blackening on a black rock.

In that tower high and cramped
Queen Tamara lived:

Like a demon, insidious and evil.

And there through the midnight fog
The golden light shone,
He threw himself into the traveler's eyes,
He beckoned for a night's rest.

On a soft down bed,
Decorated in brocade and pearls,
She was waiting for a guest... They hissed
There are two cups of wine in front of her.

Hot hands intertwined
Lips stuck to lips
And strange, wild sounds
All night long they heard:

As if that tower was empty
One hundred ardent youths and wives
We agreed on a night wedding,
For the funeral feast.

But just the morning glow
Threw its beam across the mountains,
Instantly darkness and silence
They reigned there again.

Only the Terek in the Daryal gorge,
Thundering, breaking the silence,
Wave upon wave ran over,
The wave drove the wave.

And with a cry the silent body
They were in a hurry to carry it away;
There was something white in the window then,
It sounded from there: sorry.

And it was such a tender farewell,
That voice sounded so sweet
Like the delights of a date
And he promised the caresses of love.

Analysis of Lermontov's poem "Tamara"

A trip to the Caucasus in 1837 gave Mikhail Yuryevich Lermontov many amazing impressions. For a long time, the poet turned to the theme of mountain legends in his work. A striking example of this is the poem “Tamara,” dated 1841.

This work consists of 12 stanza-quatrains. They all have a cross rhyme like abab. The author acts as a narrator. The poem is written in a measured amphibrach, which gives it a resemblance to a fairy-tale chant.

“Tamara” really resembles a fairy tale. It uses lexical structures characteristic of folklore works. Here, for example, is how the author introduces the reader to the heroine:
In that tower high and cramped
Queen Tamara lived:
Beautiful as a heavenly angel
Like a demon, insidious and evil.

This beginning is reminiscent of a typical fairy tale “once upon a time.”

Even the scenery itself in which the action takes place creates the impression of unreality. We see formidable mountains, a rapid river flow. The sense of danger is enhanced by alliteration: “Blackening on a black rock.”

The heroine of the work, Queen Tamara, waiting for her victims in the silence of the night, is the embodiment of the image of an evil witch from folk legends. In the darkness, she lights a fire that attracts late travelers and starts a drawn-out song, just like the mythical sirens or insidious sorceresses from fairy tales do. However, unlike Baba Yaga or the shriveled witches of the Brothers Grimm, Tamara does not lure wanderers in order to eat them. She lures men for a night of love and then kills them by throwing them off cliffs.

The image of the witch is complemented with characteristic details. For example, she owns countless treasures:
On a soft down bed,
Decorated in brocade and pearls...
She also has henchmen:
He was met by a gloomy eunuch.

Depicting the actions that take place in Tamara’s tower, the poet uses epithets filled with eroticism: “strange, wild sounds”, “hot hands”, “a hundred ardent youths and wives”.

But in the morning the spell dissipates, and the sounds of the past night dissolve. The unfortunate traveler dies by falling from a cliff. The author reports that the queen says “Forgive me” as the body is carried away by the waters of the river. Maybe she sincerely grieves for him? Maybe there is a terrible curse hanging over the tower that dooms Tamara to loneliness and her guests to death? The reader will never know this. Unless he himself, checking the legend, goes to the Daryal Gorge and hears the enchanting voice of the queen.

The work is believed to be inspired by an ancient legend about a beautiful and treacherous Georgian queen, but there has never been a heroine named Tamara in local folklore. The poem guesses the plot of the myth about Queen Cleopatra, set out in the story “Egyptian Nights” by A. S. Pushkin. But it doesn’t matter what exactly the source of the work is. In any case, the merit of Mikhail Yuryevich Lermontov is undoubted, who gave poetry and sensual beauty to this legend.