Cipollino is the hero of which country. Research work: "Portrait gallery of characters and heroes of Gianni Rodari's fairy tale "The Adventures of Cipollino." Description of the work. Main characters

The central character of "Eugene Onegin", a novel in verse, after which the work is named, is a native of St. Petersburg, a young nobleman, spoiled by social evenings and receptions. He is single and is capable of making a worthy match for any of the “elite” brides. Evgeniy’s manners are not just good, they are polished to shine. And it costs him nothing to turn the head of even the most selective lady.

Onegin is handsome, courteous, educated, dressed in the latest fashion and carefully monitors his appearance. Despite the fact that the hero has lived in the world for a little over a quarter of a century and is constantly among noisy friends, his existence is poisoned by a depressive state. This “noble” blues is associated with the uncertainty in which Eugene lives. He gravitates toward a free, unencumbered life, but among the idle crowd he feels lonely. Pushkin’s hero does not yet know what he would like to devote his life to. Inconsistency in relationships, parties, small talk, where the hero has no equal, he was pretty tired of. But in order to devote himself to hard work, Onegin is too lazy. Perhaps this is how the “crisis of 30 years” crept up on the young master.

Finding himself at a crossroads, he comes to the deep province to take over the inheritance left to him by his dying uncle. Evgeniy stops at a new estate. And from the leisurely village life he begins to feel even more depressed. In order to somehow unwind, he makes friends with his neighbor, local romantic and poet Vladimir Lensky, who introduces him to the Larin family. Lensky wooes their youngest daughter Olga. Onegin immediately notes that her older sister is much more interesting. Tatyana falls in love with the city guest literally from the first minutes of their acquaintance. Brought up on French novels, a girl writes a letter to the chosen one of her heart. French, where she confesses her love to him. But Evgeny rejects the girl’s ardor, since he understands that a party like Tatyana Larina was created exclusively for married relationships. The hero is not ready to get married yet.

Some time later, Lensky brings Onegin to a party at the Larins’ house. Tatiana's name day is being celebrated. Evgeniy becomes bored, he gets angry with his young friend and, for the sake of “humorous” revenge, dances and flirts with his fiancee. Out of jealousy, Lensky challenges the city slicker to a duel. The joke turns into tragedy - the young poet dies during a duel. Onegin leaves the village and goes on a long journey.

Returning to St. Petersburg two years later, the hero meets Tatyana, now a married lady, at a ball. Continuing to love him, the girl agreed to marry a rich man, Prince N. Now she is cold and unapproachable to Onegin. Seeing her differently, Evgeniy realizes that he is in love. He writes and gives letters to Tatyana, but receives no answers. Having achieved a personal meeting, Onegin passionately confesses his love. But the “new” Tatyana firmly refuses him, explaining that he was late, and she will never break her oath of fidelity to her husband. The hero is left alone and hears the steps of Prince N approaching.

Onegin Quotes

We all learned a little bit
Something and somehow
So upbringing, thank God,
It's no wonder to shine here...

You can be a smart person
And think about the beauty of your nails...

He who lived and thought cannot
Don't despise people in your heart...

The less we love a woman,
The easier it is for her to like us
And the more likely we destroy her
Among seductive networks...

But pathetic is the one who foresees everything,
Whose head isn't spinning...

Dashing fashion, our tyrant,
The disease of the newest Russians...

And so public opinion!
Spring of honor, our idol!
And this is what the world revolves on!...

Moscow... so much in this sound
For the Russian heart it has merged!
How much resonated in him!...

Talking too much
We are happy to accept...

Blessed is he who was young from his youth,
Blessed is he who matures in time...

Give me the forbidden fruit,
And without that, heaven is not heaven for you...

All ages are submissive to love...

I thought: freedom and peace
Substitute for happiness.
My God! How wrong I was...

1. Onegin, my good friend,
Born on the banks of the Neva,
Where might you have been born?
Or shone, my reader;

1. Onegin was, in the opinion of many,
A small scientist, but a pedant

2. Languishing with spiritual emptiness,
He sat down - with a laudable purpose
Appropriating someone else's mind for yourself;
He lined the shelf with a group of books.
I read and read, but to no avail...

3. He had a lucky talent
No coercion in conversation
Touch everything lightly
With the learned air of a connoisseur

4. He knew quite a bit of Latin,
To parse the Epigraphs,
Talk about Juvenal,
At the end of the letter put uale,
Yes, remember, although not without sin,
Two verses from the Aeneid:

5. He could not iambic from trochee,
No matter how hard we tried to distinguish,
Scolded Homer, Theocritus,
But I read Adam Smith,
And he was a deep economist,
That is, he knew how to judge
How does the state get rich?
And how he lives, and why,
He doesn't need gold
When a simple product has:

6. Onegin:
The double lorgnette points askance,
To the boxes of unfamiliar ladies;
And he said:
“It’s time for everyone to change;
I endured ballets for a long time,
but I'm tired of Didelot too"

7. He was bored with the noise of the world:
The betrayals have become tiresome;
Tired of friends and friendship:
he finally stopped loving
and scolding, and saber, and lead

8. His feelings cooled down early
I'm tired of friends and friendship.

9. In short: Russian blues
I mastered it little by little.

10. Onegin was ready with me,
See foreign countries;
But soon we were destined
Divorced for a long time.
His father then died...
...Suddenly he really got
Report from the manager
That uncle is dying in bed...

11. Eugene’s fate kept:
At first Madame followed him,
Then Monsieur replaced her.
The child was harsh, but sweet.
Monsieur l "Abbé, poor Frenchman,
So that the child does not get tired,
I taught him everything jokingly,
I didn’t bother you with strict morals,
Lightly scolded for pranks
And he took me for a walk in the Summer Garden

12. Here is my Onegin in freedom;
Haircut in the latest fashion,
How dandy London is dressed -
And finally saw the light.
He's completely French
He could express himself and wrote;
I danced the mazurka easily
And he bowed casually;
What do you want more? The light has decided
That he is smart and very nice.
13.
Everything that Evgeniy still knew,
Tell me about your lack of time;
But what was his true genius?
What he knew more firmly than all sciences,
What happened to him from childhood
And labor, and torment, and joy,
What took the whole day
His melancholy laziness
14. How early could he be a hypocrite,
To harbor hope, to be jealous,
To dissuade, to make believe,
Seem gloomy, languish,
Be proud and obedient
Attentive or indifferent!
15.
How languidly silent he was,
How fieryly eloquent
How careless in heartfelt letters!
Breathing alone, loving alone,
How he knew how to forget himself!
16. How he knew how to seem new,
Jokingly amaze innocence,
To frighten with despair,
To amuse with pleasant flattery,
Catch a moment of tenderness,
Innocent years of prejudice
Win with intelligence and passion,
Expect involuntary affection
17. How early could he have disturbed
Hearts of coquettes!
When did you want to destroy
He has his own rivals.
18. Sometimes he was still in bed:
They bring notes to him.
What? Invitations? In fact,
Three houses for the evening call:
There will be a ball there children's party.
Where will my prankster ride?
Who will he start with? Doesn't matter:
It’s no wonder it’s easy to keep up with everything.
While in morning dress,
Putting on a wide bolivar3,
Onegin goes to the boulevard
And there he walks in the open space,
While the watchful Breget
Dinner won't ring his bell.
19. Second Chadayev, my Evgeniy,
Fearing jealous judgments,
There was a pedant in his clothes
And what we called dandy.
He's at least three o'clock
He spent in front of the mirrors
And he came out of the restroom
Like windy Venus,
When, wearing a man's outfit,
The goddess goes to a masquerade.
20. What about my Onegin? Half asleep
He goes to bed from the ball:
And St. Petersburg is restless
Already awakened by the drum.
21. But, tired of the noise of the ball
And the morning turns to midnight,
Sleeps peacefully in the blessed shade
Fun and luxury child.
Wake up at noon, and again
Until the morning his life is ready,
Monotonous and colorful.
And tomorrow is the same as yesterday.
22. But was my Eugene happy,
Free, in the color of the best years,
Among the brilliant victories,
Among everyday pleasures?
Was he in vain among the feasts?
Careless and healthy?
23. And my Eugene left you.
Renegade of stormy pleasures,
Onegin locked himself at home,
Yawning, he took up the pen,
I wanted to write, but it’s hard work
He felt sick; Nothing
It did not come from his pen,
24. And already yawned in advance,
Getting ready, for the sake of money,
For sighs, boredom and deception
(And thus I began my novel);
But, having arrived at my uncle’s village,
I found it already on the table,
As a tribute to the ready land.
25. Two days seemed new to him
Lonely fields
The coolness of the gloomy oak tree,
The babbling of a quiet stream;
On the third grove, hill and field
He was no longer occupied;
Then they induced sleep;
Then he saw clearly
That in the village the boredom is the same,
Although there are no streets or palaces,
No cards, no balls, no poems.
Handra was waiting for him on guard,
And she ran after him,
Like a shadow or a faithful wife.
26. The village where Evgeniy was bored,
There was a lovely corner;
There's a friend of innocent pleasures
I could bless the sky.
27. But Lensky, without having, of course,
There is no desire to marry,
With Onegin I wished cordially
Let's make the acquaintance shorter.
They got along. Wave and stone
Poetry and prose, ice and fire
Not so different from each other.
First by mutual difference
They were boring to each other;
Then I liked it; Then
We came together every day on horseback
And soon they became inseparable.
So people (I am the first to repent)
There's nothing to do, friends.
28. Everything gave rise to disputes between them
And it led me to think:
Tribes of past treaties,
The fruits of science, good and evil,
And age-old prejudices,
And the grave secrets are fatal,
29. But more often they were occupied by passions
The minds of my hermits.
Having left their rebellious power,

30. Alone among his possessions,
Just to pass the time,
Our Evgeniy first conceived
Establish a new order.
In his wilderness the desert sage,
He is the yoke of the ancient corvée
I replaced it with easy quitrent;
And the slave blessed fate.
But in his corner he sulked,
Seeing this as terrible harm,
His calculating neighbor;
The other smiled slyly
And everyone decided out loud,
That he is a most dangerous weirdo.
31. At first everyone went to him;
But since from the back porch
Usually served
He wants a Don stallion,
Only along the main road
Their household noises will be heard, -
Offended by such an act,
Everyone ended their friendship with him.
“Our neighbor is ignorant; crazy;
He is a pharmacist; he drinks one
Glass of red wine
32. That’s exactly what my Eugene thought.
He is in his first youth
Was a victim of stormy delusions
And unbridled passions.
Spoiled by the habit of life,
One is temporarily fascinated,
Disappointed with others
We slowly languish with desire,
We languish with windy success,
Listening in noise and in silence
The eternal murmur of the soul,
Suppressing a yawn with laughter:
This is how he killed eight years old
Losing life's best color.
33. Onegin lived as an anchorite:
He got up at seven o'clock in the summer
And went light
To the river running under the mountain;
Imitating the singer Gulnara,
This Hellespont swam,
Then I drank my coffee,
Looking through a bad magazine
And got dressed...
34. Walking, reading, deep sleep,
Forest shadow, murmur of streams,
Sometimes black-eyed whites
Young and fresh kiss,
An obedient, zealous horse is bridle,
Lunch is quite whimsical,
A bottle of light wine,
Solitude, silence:
This is Onegin’s holy life;
And he is insensitive to her
Surrendered, red summer days
In careless bliss, apart from
Forgetting both the city and friends,
And the boredom of holiday activities.
35. Direct Onegin Childe-Harold
36. When it comes to Evgeny
It has come, then the maidens look languid,
Her embarrassment, fatigue
Pity was born in his soul:
He silently bowed to her,
But somehow the look of his eyes
He was wonderfully gentle. Is that why
That he was really touched
Or was he, flirting, playing naughty,
Whether involuntarily or out of good will,
But this gaze expressed tenderness:
He revived Tanya's heart.
37. In the anguish of heart remorse,
Hand clutching the pistol,
Evgeniy looks at Lensky.
38. Although we know that Evgeniy
I have long ceased to love reading,
However, several creations
He excluded from disgrace:
Singer Gyaur and Juan
Yes, there are two or three more novels with him,
In which the century is reflected
AND modern man
Portrayed quite accurately
With his immoral soul,
Selfish and dry,
Immensely devoted to a dream,
With his embittered mind
Seething in empty action.

Onegin is a young and rich aristocrat living in St. Petersburg: "...Born on the banks of the Neva..."

He is handsome, good-looking and dresses in the latest fashion: "...In the latest taste in toilet..."

Onegin takes care of himself no less than a woman. The author compares Onegin with a “goddess”: “..He spent at least three hours / In front of the mirrors / And came out of the restroom / Like a windy Venus, / When, having put on a man’s outfit, / The Goddess goes to a masquerade party...”

As a child, Onegin did not study particularly hard, but rather superficially. Onegin’s tutor taught him everything jokingly: “...Monsieur l’Abbé, a wretched Frenchman, / So that the child would not be tormented, / Taught him everything jokingly, / Didn’t bother him with strict morals, / Slightly scolded him for his pranks...”

Onegin lives without a goal, without meaning and without work: “...Having lived without a goal, without work / Until he was twenty-six, / Languishing in the inaction of leisure / Without service, without a wife, without business, / Couldn’t do anything... "

Onegin leads a social life, he goes to all the balls and evenings. He returns in the morning, when Petersburg is already waking up: "... Half asleep / He goes to bed from the ball: / And restless Petersburg / Already awakened by the drum..." "... He will wake up at noon, and again / Until the morning his life ready..."

When Onegin's uncle dies, for the sake of money, he pretends that he feels sorry for his uncle: "...Preparing, for the sake of money, / For sighs, boredom and deception..."

After the death of his parents and uncle, Eugene Onegin becomes a rich heir: "...Heir to all his relatives..."

Evgeny Onegin is a heartthrob, seducer and tempter. He knows how to charm women: "...How early could he disturb / The hearts of the coquettes!..." "...Your fatal tempter..."

But Onegin gets tired of women and society. He avoids close communication with people: "...And where is the fugitive of people and light..."

Onegin also gets tired of traveling: “...And he’s tired of traveling, / Like everything else in the world...”

Evgeny Onegin is bored wherever he is - at home, in the theater, in the village: “... Onegin, we are driven by boredom again...” “... then he looked at the stage / He looked very absent-mindedly, / He turned away - and yawned ..." (Onegin is bored in the theater)

Onegin yawns all the time - here and there: "...Suppressing the yawning with laughter..." "... – Well, Onegin? You yawn. - “Habit, Lensky”..."

The flighty Eugene quickly gets carried away, but is just as quickly disappointed: “...Enchanted by one for a while, / Disappointed by another...”

Eugene is always gloomy and angry: “...Always frowning, silent, / Angry and coldly jealous! / That’s how I am...” (Onegin about himself) “... I was already angry [...] / He pouted and , indignantly..."

Evgeny is cruel, he does not feel pity for his lover Tatiana: “...You will start crying: your tears / Will not touch my heart, / But will only enrage him...”

Evgeny Onegin has a cold soul. The fire in his heart went out: “...The life of both of us was tormented; / The heat went out in both hearts...” (the author about himself and Onegin) “... in the depths / Of a cold and lazy soul?...”

At the same time, Onegin - smart man: "...What about your heart and mind / To be a slave to petty feelings?..." (Tatiana to Onegin)

Onegin has pride and honor: “...I know: in your heart there is / Both pride and direct honor...” (Tatiana to Onegin)

Onegin doesn’t like to read, but he still likes some books: “...Although we know that Eugene / Has long ceased to love reading, / However, several creations / He excluded from disgrace: / The singer Gyaur and Juan / And with him also two or three novels..."

Onegin is a liberal and humane landowner. When Onegin settles in the village, he makes life easier for the peasants: “...He replaced the ancient corvée with a yoke / With an easy quitrent; / And the slave blessed his fate..

Tatyana Larina:

Tatyana - the image of a Russian woman in the novel in verse “Eugene Onegin” by Alexander Pushkin. Tatyana's story, her character are shown in the novel from different sides, in development. At the beginning of the work, she is still almost a child, who is just becoming an adult. Tatyana is silent, shy, loves to be sad by the window, does not like noisy games and girlish conversations of her sister and her friends. Therefore, in her family, Tatyana seems like a “strange girl”; she does not know how to ask her family for affection. While everyone around her admires her mischievous sister Olga, Tatyana is always alone.

However, Tatyana is familiar with the subtlest emotional impulses: they simply do not reveal themselves to others. She is a romantic person. Tatyana loves to read books and vividly experiences various feelings and adventures with their characters. She is attracted to everything mysterious and enigmatic. That's why Tatyana loves to listen to folk legends, mystical stories which the old nanny tells;

“Tatiana believed the legends

Of common folk antiquity,

And dreams, and card fortune-telling,

And moon predictions."

When Tatiana falls in love, the depth of her romantic nature is revealed. Yesterday's timid girl turns out to be unexpectedly brave. She is the first to confess her love to Onegin and writes him a letter. Her love comes from the very heart, it is a pure, tender, shy feeling. Even the cynic Onegin sees what a dreamy girl stands in front of him, he does not dare to play with her. However, he also does not know how to appreciate the depth and passion of her love. Tatyana, having fallen in love, becomes very sensitive, she even foresees the tragedy of Lensky's murder and the departure of her beloved.

Tatiana's image a few years later in St. Petersburg there is another one. Gone is the naivety and childish faith in fairy tales. Tatyana now knows how to behave in high society, inaccessibly and royally majestic. And at the same time, she does not deny herself, she behaves naturally. Tatiana is considered the queen of the capital, and Onegin suddenly falls in love with her. But then Tatyana discovers self-respect. She remains faithful to her husband, although deep down in her soul her girlish love for Onegin still lives. Willpower helps her maintain honesty and nobility towards her family.

Thus, Tatyana Larina is the standard of a sensitive, feminine, dreamy personality. But at the same time, the image of Tatyana is the image of a strong, honest and decent woman.

First, Tatyana writes a letter of recognition to Onegin, then an explanation scene in the garden follows, where the hero reads the answer to the girl.

Then Tatiana’s name day, the duel with Lensky and Onegin’s departure. Tatyana is very worried about everything that happened, goes to the estate to Onegin, wants there, among things and books, to find the answer to the question of who he is - the hero of her novel. Her health is getting worse and worse. The worried mother takes Tatyana to Moscow, where she marries her.

Returning from a trip, Onegin accidentally meets Tatyana at a ball and, not yet knowing that it is she, is “struck” by her greatness and beauty. Now it is his turn to suffer, not sleep at night and ultimately write a letter of confession, followed by an explanation of the heroes, and now Tatyana gives a rebuke to Onegin.

Olga Larina:

Olga Larina is Tatyana Larina’s sister, Lensky’s fiancée. Despite the fact that Olga is loved by Lensky, she is shown through Onegin’s cold perception: “She’s round and red-faced.” This was done in order to show that Lensky does not love the real Olga, but the romantic image he invented.
Olga is an ordinary village young lady who, against her own will, was appointed by Lensky to the role of his Muse. The girl is unable to play this role, but it is not her fault. It is not her fault that Lensky misinterprets O.’s behavior, for example, at Tatyana’s name day. Olga’s readiness to endlessly dance with Onegin is explained not by the desire to cause jealousy, much less to change, but simply by the frivolity of her character. Therefore, she does not understand the reasons for Lensky’s upset at the ball and the reasons for the duel.
Olga does not need the sacrifice that Lensky is ready to make in the fight for her love in a duel.
Frivolity - that's it main feature this heroine. Olga will mourn Lensky who died for her and will very soon forget. “With a smile on her lips” she will immediately marry a lancer - and go with him to the regiment.

Olga is the embodiment of shallow water with clear water, no complicated mental work cannot happen in it by definition. She recovered very quickly from the death of her fiancé.

Lensky:

Vladimir Lensky is one of the main characters in A.S. Pushkin’s novel “Eugene Onegin.” He, like everyone in this work, has his pros and cons in his character, but, unfortunately, he does not notice them, as his friend Eugene Onegin did. Lensky is a creative person, completely immersed in his dreams, and because of them he completely did not notice real life, which is very different from his ideas. Unable to determine in time where reality is and where it is a dream, he makes a fatal mistake, which is why he tragically dies.

Towards the middle of the novel, at the age of eighteen, he arrives from Germany to the village, where Onegin finds himself at that time, having inherited the house next door to him. Their characters are “wave and stone, poetry and prose, ice and fire are not so different from each other,” as the work itself says. But despite this, they often spend time together and become friends. They touch on a wide variety of topics: the fate of civilization and the path of development of society, the role of culture and science in the improvement of humanity, good and evil. Lensky constantly tells Evgeny about his beloved Olga, who lives in the same village with her sister Tatyana Larina. He describes her as a romantic heroine from books who consists only of poetic features. In fact, he fell in love with his own creation - he invented it himself, wrote it himself, brought it to life - and is already planning to marry this image. He does not notice what Olga really is - flighty, amorous, fickle. The author describes her rather unfavorably: “Round, her face is red / Like this stupid Lena / In this stupid firmament.” Olga is an ordinary village young lady who, against her own will, becomes Vladimir’s Muse. However, Lensky sees an ideal in her, he diligently decorates Olga’s album with gentle poems, rural views, and constantly admires her beauty. The young man does not notice Olga’s frivolity, does not understand that she does not love him at all, but is firmly convinced of the opposite. At the same time, a misunderstanding of feelings occurs between Tatiana and Onegin - Onegin refuses Tatiana, which greatly hurts her loving heart.

When Tatyana’s name day comes, Lensky invites his friend Onegin to them, but he agrees to go to them with strong reluctance, since he does not want to see the birthday girl. At the celebration itself, angry with Lensky because of his invitation to visit, he begins to actively court his fiancee, Olga, who does not see anything “like that” in dancing with someone else. She promises him a lot of dances, and does not have time to agree to even one dance with Lensky, which greatly upsets him. In a fit of emotion, after the ball Lensky writes a letter to Evgeny Onegin with an appointed duel. He considered it his duty to protect Olga from his company, although the fire of jealousy had already subsided by the time of the duel. Neither one nor the other said a word to the ladies about the upcoming fight, and if they had known about it, Tatyana, relying on her prophetic dream, would have been able to prevent it. And now there are two people standing on the battlefield, former friends with completely opposite characters and worldviews. They could have stopped the duel, but then it was perceived as cowardice. After preparation, both took aim, but Onegin managed to shoot first. The result of the battle is that Lensky is dead, Olga is left without a groom. But she didn’t worry about this for a long time - she fell in love with a foreigner, and soon left with him.

Vladimir Lensky is a creative, poetic personality who, in fact, lives in his dreams, in his own novels and dramas. He goes so deep into his thoughts and fantasy that he does not notice many important things in reality, which subsequently leads to his death. Its essence is love with all its advantages and disadvantages, spiritual purity and trusting feelings. In the novel, he acts as the antipode of Eugene Onegin, highlighting his character and way of thinking. In general, Lensky, in fact, did not main character, he plays the role of a kind of separator, which only emphasizes the true protagonist of the novel - Eugene Onegin.

Essays

“I love my dear Tatyana so much!..”

(Based on the novel by A. S. Pushkin “Eugene Onegin”)

A. S. Pushkin. "Eugene Onegin"

Pushkin... We first encounter his name in early childhood. My mother sits by my pillow and quietly whispers: “There is a green oak tree near the Lukomorye... Alexander Sergeevich Pushkin.” Then I dream of heroes, mermaids, the terrible Kashchei and the kind storyteller cat.

Pushkin's fairy tales... My childhood... “...If Pushkin comes to us from childhood, we really come to him only over the years” (A. Tvardovsky). And the years go by. No matter what age you turn to Pushkin’s work, you will always find in him answers to questions that concern you, an example to follow.

And here is the new Pushkin. Pushkin is a patriot. Pushkin, calling us to heroism in the name of the Motherland.

While we are burning with freedom,
While hearts are alive for honor,
My friend, let's dedicate it to the Fatherland
Beautiful impulses from the soul!

Youth is spring time human life, the time of the greatest freshness and sharpness of impressions, the time of surprises and discoveries, when the whole world is revealed to a person in all its diversity, complexity and beauty. It’s time for the formation of characters, values ​​and ideals, questions to which answers need to be found, it’s time for friendship and first love. Youth has its own Pushkin. You read the novel “Eugene Onegin”, in which, on the threshold of growing up, a new, unknown life, you find consonance with feelings and experiences.

In the novel, I am especially attracted to Tatyana, the significance and depth of her spiritual world, the beauty and poetry of her soul, sincerity and purity. This is one of best images in Russian literature, in which A. S. Pushkin “poetically reproduced, in the person of Tatyana, a Russian woman...”

Pushkin put a lot of feelings dear to him into the image of his heroine.

The poet loves Tatyana immensely, who

In your own family
The girl seemed like a stranger.

She is characterized by daydreaming, isolation, and a desire for solitude. Her moral character and spiritual interests distinguished her from the people around her.

The poet's love is already manifested in what he gives to his heroine. popular name, thereby emphasizing her closeness to the people, to the customs and “traditions of the common people of antiquity,” the national structure of her concepts and feelings, which are nurtured by the surrounding nature and village life. "Tatiana is Russian at heart." Everything simple, Russian, folk is truly dear to her. In this, Tatyana is close to the heroine of Zhukovsky’s ballad “Svetlana”. With great warmth, Pushkin shows Tatyana's kind attitude towards the serfs, towards the nanny, whom she sincerely loves. The poet admitted that he portrayed Arina Rodionovna as Tatiana’s nanny. This is a wonderful fact. Only with Tatyana could Pushkin imagine his kind nanny. This once again confirms that the poet loves “Dear Tatyana” very much. Gently and subtly, with deep insight into the secrets of the girl’s soul, Pushkin talks about the awakening of feelings in Tatyana, her hopes and dreams. She is one of those integral poetic natures who can love only once.

Long-time heartache
Her young breasts were tight;
The soul was waiting... for someone.

Tatyana could not fall in love with any of the young people around her. But Onegin was immediately noticed and singled out by her:

You barely walked in, I instantly recognized
Everything was stupefied, on fire
And in my thoughts I said: here he is!

Pushkin sympathizes with Tatyana’s love and experiences it with her.

Tatiana, dear Tatiana!
Now I'm shedding tears with you...

Her love for Onegin is a pure, deep feeling.

Tatiana loves seriously
And he surrenders unconditionally
Love like a sweet child.

Only Tatyana could be the first to confess her love to Onegin. You had to love very much to decide to write to him. What mental anguish she went through before sending the letter to Evgeniy! This letter is imbued with “a living mind and will,” “and a fiery and tender heart.”

I am writing to you - what more?
What more can I say?

Many girls repeated these lines to themselves. Unrequited love. Everyone probably went through it.

Not every girl in our time will decide to be the first to confess her love. What was it like for Tatiana? Confess and hear words that reject her love, taking away hope for reciprocity and happiness. Love became for Tatyana “the greatest disaster of life,” because she combined all the best impulses of her soul with this love. How worried about Tatyana Pushkin, seeing that

Love's mad suffering
Haven't stopped worrying
Young soul...

How he sympathizes with her!

And dear Tanya’s youth fades...
Alas, Tatyana is fading,
It turns pale, goes dark and is silent!

The duel between Onegin and Lensky, Lensky's death, Olga's departure... Tatyana is alone.

And in cruel loneliness
Her passion burns more intensely,
And about distant Onegin
Her heart speaks louder.

We see how dear Pushkin is to Tatyana’s desire to visit Onegin’s house, thanks to which she realized that “there are interests for a person, there are suffering and sorrows, except for the interest of suffering and the sorrow of love.” But this understanding did not change anything. For Tatyana, love for Onegin is the greatest treasure, because Eugene is spiritually close to her.

It’s hard for Tatyana, and in difficult times for her, the poet does not leave her for a minute: he goes to Moscow with the Larins, and he’s in Moscow with Tatyana.

Pushkin is worried about Tatyana’s fate (“Not noticed by anyone...”), rejoices for her (“... let us congratulate my dear Tatyana on her victory”). The poet is proud of Tatyana, who, having become

Unapproachable goddess
Luxurious, royal Neva, -

She didn’t change herself, she remained true to her life principles.

Depth of feeling, striving for ideals, moral purity, integrity of nature, noble simplicity of character, loyalty to duty - all this attracts Tatyana. Therefore, the author does not hide his sympathy for her.

Forgive me: I love you so much
My dear Tatiana!

And it’s impossible not to love Tatiana! This is the most captivating image of our literature, which begins a gallery of beautiful characters of Russian women, seeking deep meaning in life, morally impeccable, striking us with the depth and integrity of nature, the ability to devotedly love and feel deeply. Such are Olga Ilyinskaya from Goncharov’s novel “Oblomov”, “Turgenev’s girls”, who see the meaning of life in serving people, truly, the truly holy wives of the Decembrists from Nekrasov’s poem “Russian Women”, Natasha Rostova.

For Pushkin, Tatyana is the ideal of a Russian woman (“my true ideal”). She becomes a “sweet ideal” for everyone who read the novel, just as she became the ideal woman for Pyotr Ilyich Tchaikovsky, who expressed Tatyana’s poetic nature in music. She became an ideal for me too.

I am seventeen years old, and I really want to be like Tatyana with a serious attitude towards life and people, a deep sense of responsibility, and enormous moral strength.

Thanks to Pushkin for Tatyana, his “sweet ideal”, over whom time has no power. This is an eternal image, because chaste purity, sincerity and depth of feelings, readiness for self-sacrifice, and high spiritual nobility will forever be valued in a woman.

Review. The essay “I love my dear Tatyana so much!..” purposefully and quite fully reveals the proposed topic. The essay is non-standard, its main advantages are independence, individual character and emotionality.

The epigraph was chosen well. He focuses on the main idea of ​​the essay and emphasizes it. The most significant facts from the life of Tatyana Larina are thoughtfully selected, attention is focused on the high moral qualities of the heroine, which are dear to the poet. It is convincingly shown why exactly A.S. Pushkin loves Tatyana. Proof of judgments is facilitated by quotations that are successfully introduced.

The reasoning is constructed logically, consistently, the parts of the essay are proportionate. The work is distinguished by its compositional completeness, accuracy of word usage, and variety of linguistic structures.

“He is forever the same, forever new”

V. G. Belinsky

Pushkin... His name - the name of a brilliant Russian poet - is inseparable from Russia. The flowering of Russian literature began with Pushkin, pushing it to one of the first places in world literature.

Pushkin's creativity is deeply rooted in the soil of national culture and national literature.

The novel “Eugene Onegin” can be attributed to the poet’s lyrics. Pushkin's lyrics are his poetic diary, confession, these are his innermost and sincere confessions. It leads to knowledge human soul and through knowledge - to its purification. Thus, she educates a person, a personality.

The novel “Eugene Onegin” amazes me with the strength and depth of the author’s expressed feelings. Pushkin seems to take me by the hand and lead me into a world of interesting characters, deep shocks, and strong feelings. But the most important thing is the wisdom of the poet, who reveals to us the meaning of human life, its complexity and inconsistency. He invites the reader to accept

...a collection of motley chapters...
The careless fruit of my amusements,
Insomnia, light inspirations,
Immature and withered years,
Crazy cold observations
And hearts of sorrowful notes.

Everything is invested in his novel: mind, heart, youth, wise maturity, moments of joy and bitter hours without sleep - the whole life of a beautiful, brilliant and cheerful person.

The image of the author in the novel is Pushkin himself. And... “he is always the same, forever new”, he is one of the main characters of the novel. It is no coincidence that there are so many lyrical digressions in the novel. They make up the fourth part of the novel, almost two chapters, and are autobiographical in nature.

In the first chapter, the poet talks about his work, about love:

Love's crazy anxiety
I experienced hopelessly

about his closeness with Onegin and the difference between them:

I'm always happy to notice the difference
Between Onegin and me...
Love has passed, the muse has appeared...
Go to the banks of the Neva,
Newborn creation...

In the second chapter, Pushkin is “the same,” but he is already “new.” He talks philosophically about life and death, talks about the desire to leave a mark on the world:

Our time will come, our time will come,
And our grandchildren in good time
They will push us out of the world too!..
But I think I would like
So about me...
I remembered at least a single sound.

The “free distance” of the novel flows. The mental and spiritual world of Pushkin’s favorite heroes expands, deepens, and enriches. The poet’s inner world also becomes wiser and brighter; it is “the same,” but it is also “new.” In the sixth chapter, Alexander Sergeevich says goodbye to his youth:

Dreams, dreams! where is your sweetness?..
Is it really true...
Has the spring of my days flown by?..
So, my afternoon has come...

Pushkin thanks youth

...for pleasure,
For sadness, for sweet torment,
For the noise, for the storms, for the feasts,
For everything, for everything... gifts!

“He is forever the same, forever new,” our Pushkin. And in the seventh chapter, chanting spring, again, but at a new stage of life, he speaks about love, nature, life:

How sad your appearance is to me,
Spring, spring! it's time for love!
What languid excitement
In my soul, in my blood!

Whoever you are, oh my reader,
Friend, foe, I want to be with you
To part now as friends...
We'll part ways for this, sorry!

He is still “the same”: noble, honest, frank, witty and mocking, but he is also “new”: matured, learned a lot, changed his mind, wiser:

Many, many days have passed
Since young Tatiana
And Onegin is with her in a vague dream
Appeared to me for the first time -
And the distance of a free romance
Me through a magic crystal
I couldn't distinguish it clearly yet.
...Oh, fate has taken away a lot, a lot!

It is impossible to analyze all the lyrical digressions in a short period of time, but it is possible to assert that A.S. Pushkin, while remaining eminently a Man, a Personality, at the same time grew as a person, as a person, while working on his novel. “He is forever the same, forever new.”

Review. The essay “He is forever the same, forever new” fully, deeply and thoroughly proves that the author of “Eugene Onegin” is the ideological, compositional and lyrical center of the novel.

Rereading the “collection of motley chapters,” the author of the essay again and again asserts and confirms that Pushkin is one of the main characters of the novel and that from chapter to chapter “he is forever the same, forever new.” The work is distinguished by thoughtfulness and independence in the selection and analysis of lyrical digressions.